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THE FILMS OF VAL LEWTON – Buy The Val Lewton Horror Collection ... Amy befriends Julia Farren, an aging actress who is alienated from her own daughter Barbara (Elizabeth Russell, who also appeared as a sinister cat woman in the previous movie – perhaps the same character). Er wollte allerdings nicht in mehreren Funktionen genannt werden, da er fürchtete, es sehe so aus, als ob er seine Macht als Produzent missbrauche, um im Vorspann möglichst oft genannt zu werden. The Val Lewton Collection Warners Produced by Val Lewton: Cat People, The Leopard Man, I Walked with a Zombie, The Seventh Victim, The Ghost Ship, The Curse of the Cat People, Isle of the Dead, The Body Snatcher, Bedlam B&W 1:37 flat full frame Street Date October 4, 2005 the set 59.92 some titles available individually 19.97 Reviewed by Glenn Erickson. The Val Lewton Horror Collection gets an AAAAA+++++. 1942 wurde Lewton zum Chef der Horror-Abteilung von RKO ernannt. It seems to have been an unhappy choice: The pressure to churn out B films rapidly on limited budgets was apparently too much for von Fritsch, who fell grievously behind schedule. Sein Leben lang galt er als Leseratte, die sich zudem alle je gelesenen Geschicht… DVD Update (9-27-11) dailymotion.com; More Val Lewton: The Man In The Shadows Movie videos. Er war offenbar ein konfliktscheues Kind. To Lewton’s surprise, Karloff was seeking a change of pace and a … That's exactly what RKO Pictures - the studio that released Cat People (1942) and the eight other horror classics churned out by iconic producer Val Lewton between 1942 and 1946 - wanted you to think. The novelist turned screenwriter turned … When Val Lewton discovered that RKO was saddling him with star Boris Karloff for a three picture deal, Lewton was not at all happy. What was Lewton's first movie? He was nephew of actress Alla Nazimova. Lewton's first production was Cat People, released in 1942. Val Lewton was born May 23, 1937, in Santa Monica, California. Hollywood, 1942. Edmund G. Bansak. In a 1946 interview with Louis Berg of the Los Angeles Times, Karloff credited Lewton with saving him from what Karloff saw as the overextended Frankenstein franchise at Universal Pictures. He was of Jewish descent, the son of moneylender Max Hofschneider and Anna "Nina" Leventon, a pharmacist's daughter. He was Jewish, the son of a ne'er-do-well moneylender named Max Hofschneider and Nina Leventon, a pharmacist's daughter… Jeder Film durfte eine maximale Laufzeit von 75 Minuten haben. März 1951 am letzten einer ganzen Reihe von Herzinfarkten. Das erste Mal in einem Vorspann erwähnt wurde er in David O. Selznick's A Tale of Two Cities (Flucht aus Paris). Insgesamt 11 Filme produzierte Lewton für die RKO: Lewton überraschte seine Auftraggeber durch den hohen Anspruch der B-Movies. When RKO head and Lewton supporter Charles Koerner died in 1946, the studio went through personnel and management upheavals, ultimately leaving Lewton unemployed and in ill health after suffering a minor heart attack. Sein Leben lang galt er als Leseratte, die sich zudem alle je gelesenen Geschichten merken konnte. Along with fellow faculty members and staff, she was chosen to chaperone the students on their field trip to Paris. Val Lewton was a Hollywood film producer who broke the rules on what a "producer" can do during movie production. Er wurde Journalist bei MGM und Assistent von David O. Selznick. Hollywood producer Stanley Kramer tendered an offer to Lewton to work as an assistant producing a series of films at Columbia Studios. Val Lewton wurde als Sohn von Nina Leventon, einer Schwester der Schauspielerin Alla Nazimova und späterer Taufpatin der späteren amerikanischen First Lady Nancy Reagan, 1904 auf der Krim geboren. Val Lewton (May 7, 1904 – March 14, 1951) was a Russian-American novelist, film producer and screenwriter best known for a string of low-budget horror films he produced for RKO Pictures in the 1940s. The Leopard Man (1943) - TCM Intro (Val Lewton) youtube.com; 20:05. B. in Der Leichendieb und Bedlam unter dem Pseudonym Carlos Keith als Co-Writer auf. Am Drehbuch von Vom Winde verweht arbeitete er mit, ohne jedoch namentlich genannt zu werden (so stammt z. W hen I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People. Als freier Autor schrieb er mehrere Bücher. David O. Selznick had a story that nobody would make. Als Basis der Geschichten dienten ihm oftmals literarische Vorlagen (u. a. von Robert Louis Stevenson und Guy de Maupassant), er ließ sich von klassischen Gemälden inspirieren und spickte die Filme mit Zitaten von John Donne, Shakespeare, Hippokrates und Sigmund Freud. On the documentary The Making of Gone With the Wind, Lewton is described by another Selznick employee as warning that Gone With the Wind was unfilmable and that Selznick would be making "the mistake of his life" trying to make a successful movie of it. Daughter Nina; son Val E. Lewton. Lewton also worked for Selznick as a story editor, a scout for discovering literary properties for Selznick's studio, and a go-between with the Hollywood censorship system. Fearing the Dark: The Val Lewton Career. Lost his job as a reporter for the Darien-Stamford Review after it was discovered that a story about a truckload of kosher chickens dying in a New York heat wave was a total fabrication. Lewton spent time at home working on a screenplay about the famous American Revolutionary War battles at Fort Ticonderoga. In 1932, he wrote the best-selling pulp novel No Bed of Her Own, which was later used for the film No Man of Her Own,[3] with Clark Gable and Carole Lombard.In 1933, Lewton clandestinely published Grushenka: Three Times a Woman, an erotic novel whose publication would have subjected Lewton to criminal penalties given the mores of the time. Er schuf das Genre der „denkenden“ Horrorfilme, die den Schrecken eher in der Vorstellung des Zuschauers entstehen lassen, als ihn direkt auf der Leinwand zu zeigen. He was dismissed and Wise, whose work Lewton … Obtaining Copies. The Val Lewton Horror Collection is a great collection piece of horror movies without monsters. Made for US$134,000, the film went on to earn nearly US$4 million and was the top moneymaker for RKO that year. If playback doesn't begin shortly, try restarting your device. VAL EDWIN LEWTON On Friday, April 24, 2015, exhibits designer and painter, Val E. Lewton died of cancer. The producer had wanted to veer away from the Universal monster-mash factory, which he naturally associated Karloff with. Toss in Amy's new relation to reclusive neighbor Julia Farren (Julia Dean). After RKO promoted Tourneur to A-films, Lewton gave first directing opportunities to Robert Wise and Mark Robson. Damit es nicht auffiel, dass ein einzelner Mann soviel Material lieferte, verwendete er teilweise Pseudonyme (z. B. auch Carlos Keith, einen Namen, den er später auch für manche Filme verwendete). People also ask. https://de.wikipedia.org/w/index.php?title=Val_Lewton&oldid=201830969, „Creative Commons Attribution/Share Alike“. He was of Jewish descent, the son of moneylender Max Hofschneider and Anna "Nina" Leventon, a pharmacist's daughter. LCCN Permalink https://lccn.loc.gov/2005687035 Additional Metadata Formats MARCXML … Diese Seite wurde zuletzt am 13. Vladimir Ivan Leventon (* 7. The story just gets complex from there. The film was directed by Jacques Tourneur, who subsequently also directed I Walked With a Zombie and The Leopard Man for Lewton. A meeting between Karloff, Lewton, and Robert Wise changed all that. At MGM, he worked with David O. Selznick on A Tale of Two Cities and Gone with the Wind. 1951 drehte er dann nochmals ein B-Movie, den Western Trommeln des Todes (Apache Drums) für die Universal Studios. In May 2017, "The Secret History Of Hollywood", a podcast biopic series, began an eleven-part season on his life and work featuring Mark Gatiss. Shopping. All seven movie were made well for their day and on a low budget as well. 1905 siedelte die Familie nach Berlin über. An der Columbia University studierte er Journalismus. Jefferson, NC: McFarland & Co., 1995. Abraham, New York. Actress Paulette Goddard at Paramount Studios particularly liked Lewton's treatment, and in exchange for the script Lewton was given employment through July 1948. A Movie Can Be a Poem: Oz Perkins on “The Blackcoat’s Daughter” / Matt Fagerholm / Roger Ebert.com / March 20 th, 2017. B. die Szene, in der die Kamera nach oben fährt und hunderte verletzte Bürgerkriegsoldaten zeigt, von ihm). In 1942, Charles Koerner placed him in charge of the "B"-picture unit at RKO. He was naturalized as a U.S. citizen in a federal court in Los Angeles as Wladimir Ivan Lewton in June 1941. Lewton always wrote the final draft of the screenplays for his films, but avoided on-screen co-writing credits except in two cases, The Body Snatcher and Bedlam, for which he used the pseudonym "Carlos Keith," which he had previously used for the novels 4 Wives, A Laughing Woman, This Fool, Passion, and Where the Cobra Sings. [4], Lewton worked as a writer at MGM's Alice Roberts publicity office in New York City, providing novelizations of popular movies for serialization in magazines, which were sometimes later collected into book form. Watch later. Lewton's first production was Cat People, released in 1942. Lewton was born Vladimir Ivanovich Hofschneider (Russian: Владимир Иванович Левентон, Ukrainian: Володимир Іванович Левентон, both with surname Leventon) in Yalta, Imperial Russia (now in Ukraine), in 1904. Val Lewton wurde als Sohn von Nina Leventon, einer Schwester der Schauspielerin Alla Nazimova und späterer Taufpatin der späteren amerikanischen First Lady Nancy Reagan, 1904 auf der Krim geboren. Mai 1904 in Jalta, Russisches Kaiserreich; † 14. B orn in Russia in 1904, Val Lewton came to the United States with his family at the age of five. After a brief stint working for MGM's David O. Selznick, the 36 year-old Ukrainian-born Lewton found himself in charge of RKO's new horror division. His mother, Ruth Knapp, was … ), Die Filmtitel werden Val Lewton vorgegeben. Lewton was born Vladimir Ivanovich Hofschneider (Russian: Владимир Иванович Левентон, Ukrainian: Володимир Іванович Левентон, both with surname Leventon) in Yalta, Imperial Russia (now in Ukraine), in 1904. After the diminishing returns of The Seventh Victim, The Ghost Ship, and The Curse of the Cat People, Lewton ran afoul of an executive named Sid Rogell. [2] Between 1945 and 1946, Boris Karloff appeared in three films for RKO produced by Lewton: Isle of the Dead, The Body Snatcher, and Bedlam. Seinen Job als Reporter für die Darien-Stamford Review verlor er, als herauskam, dass eine Geschichte von ihm über eine Wagenladung koscherer Hühner, die in der New Yorker Hitzewelle ums Leben kamen, komplett erfunden war. Val Lewton, Los Angeles, CA. He would have to follow three rules: each film had to come in under a US$150,000 budget, each was to run under 75 minutes, and Lewton's supervisors would supply the film titles. Lewton put his experience from his Selznick years to … der im gleichen Jahr mit Clark Gable und Carole Lombard in den Hauptrollen unter dem Titel No Man of Her Own verfilmt wurde. He was nephew of actress Alla Nazimova. His father, also named Val Lewton, produced a string of successful and influential B movies for RKO Pictures, including Cat People (1942) and I Walked with a Zombie (1943). The question is, is it dangerous to fantasize that much and what will become of the characters in the end.-----"I Walked with a Zombie" A classic Val Lewton production Born in Santa Monica, California, son of movie producer Val Lewton, and Ruth Knapp, Val had a 1909 wanderte er mit seiner Schwester und seiner Mutter in die USA aus. Als Erklärung dient zumeist, dass mit dem größeren Budget die Studios auch größeren Einfluss auf die Filme nahmen. The Glitter of Putrescence – Val Lewton at RKO / Max Goldberg / Harvard Film Archive / March 30 th, 2014. As a unique combination of producer and writer, Val Lewton had grown accustomed to dealing directly with RKO-Radio head Charles Koerner. Er bekam 250 $ die Woche als Lohn und abgesehen von drei Auflagen völlige (inhaltliche) Freiheit. Die drei Auflagen waren: Gleich mit dem ersten Film im Jahre 1942 landete Lewton einen Volltreffer. His son, also named Val Lewton, was a painter and exhibition designer. Die Filme gelten als nicht besonders gut. (Sie wurden durch Marketing-Tests ermittelt; ab, Der Schatten des Panthers in der Schwimmbadszene von. In New York Citywuchs er auf und änderte seinen Namen in Val Lewton. “I now find myself working for an abysmally ignorant and stupid gentleman called Jack Gross,” Lewton … He went on to study journalism at Columbia University and authored 18 works of nonfiction, fiction, and poetry. Der Erfolg von Katzenmenschen veranlasste die Produktionsfirma RKO, einen ganzen Zyklus ähnlicher Filme in Auftrag zu geben. She is very intelligent, but is very sensitive, and snobbish. The family converted to Christianity. The film was directed by Jacques Tourneur, who … When RKO began pressuring Lewton to turn out a sequel to the hugely successful Cat People, Robson being unavailable, Lewton’s first choice fell on the relatively inexperienced Gunther von Fritsch, who had directed only a small number of short films. Share. 1909 wanderte er mit seiner Schwester und seiner Mutter in die USA aus. 775 likes. Val Lewton was born Vladimir Ivanovich Leventon in Yalta, Imperial Russia, which is now in the Ukraine, in 1904. Martin Scorsese Presents: Val Lewton – The Man in the Shadows, "Val Lewton – A Register of His Papers in the Library of Congress", "Scope and Content Notes | Val Lewton org", Val Lewton Bibliography (via UC Berkeley Media Resources Center), Darkness, Darkness: The Films of Val Lewton, The Thinking Man's Exploitation Shockers - Part One, https://en.wikipedia.org/w/index.php?title=Val_Lewton&oldid=1002748511, Creative Commons Attribution-ShareAlike License, This page was last edited on 25 January 2021, at 21:53. [citation needed]. Copy link. Jeder fertiggestellte Film durfte ein maximales Budget von 150.000 $ haben. About This Item. While at Paramount, Lewton also produced the film My Own True Love, released in 1949. Lewton resigned at Universal and began preparation to work on the film My Six Convicts, but after suffering gallstone problems, he had the first of two heart attacks which weakened him so much that he died at Cedars-Sinai Medical Center in 1951 at the age of 46. A documentary film, Martin Scorsese Presents: Val Lewton – The Man in the Shadows, was released in 2007. This film is usually considered the film most like Lewton's earlier RKO horror films. (The Goddard film Bride of Vengeance, heavily rewritten, was released in 1949.) Grushenka purported to be a translation from the Russian and brought from the Soviet Union, but this was a ruse to protect the book's real author. 1932 landete er mit No Bed of Her Own einen Bestseller, 1905 siedelte die Familie nach Berlin über. The Films Of Val Lewton - Shadows And Suspense. Disc five contains The 7th Victim and the documentary Shadows in the Dark:The Val Lewton Legacy.The ninth and final film is the 7th Victim(released Aug/43),starring Tom Conway,Jean Brooks,Isabel Jewell and Kim Hunter.This one finds a woman who lives at a boarding school.However her sister who pays the tuition has not done so for the past six months.Something has happened to her sister and she cannot … In America, he eventually changed his name to Wladimir Ivan Lewton, which came to be abbreviated as Val Lewton. [1] The family converted to Christianity. | Photograph shows film producer Val Lewton and his sister, Lucy, discussing an image on the desk while Lewton's secretary takes notes. The connection for this job came through Lewton's mother, Nina.[5]. (Das erleichterte die Auswertung in Doublefeatures. These Val Lewton films take place in a weird kind of cinematic universe; there are connections linking them besides many of the same cast members turning up again and again, but they seem to have been deliberately designed to puzzle and certainly don’t make sense in a rational fashion. A number of books and two documentaries on Lewton have been produced. Katzenmenschen (Cat People) mit Simone Simon kostete 134.000 $ und spielte wohl einen Gewinn von 183.000 $ ein (die Quellen gehen hier weit auseinander, manche nennen auch deutlich mehr). This success enabled Lewton to make his next films with relatively little studio interference, allowing him to fulfill his vision despite the sensationalistic film titles he was given, focusing on ominous suggestion and themes of existential ambivalence. Access to Original. The Glitter of Putrescence – Val Lewton at RKO / Max Goldberg / Harvard Film Archive / March 30 th, 2014. Lewton also worked as an uncredited writer for Selznick's Gone with the Wind, including writing the scene where the camera pulls back to reveal hundreds of wounded soldiers at the Atlanta depot. Info. Obwohl Lewton nur als Produzent in den Vorspännen genannt wird, gilt er als die treibende künstlerische Kraft bei diesen Filmen. He also wrote promotional copy. Universal Studios made an offer on the work, and though the screenplay was not used, Lewton was given producer duties on the film Apache Drums, released in 1951. Shadows in the Dark: The Val Lewton Legacy is a biography on Val Lewton career and include in this piece are Val's son Val Jr. and Sara Karloff - Boris Karloff daughter. In New York City wuchs er auf und änderte seinen Namen in Val Lewton. A Movie Can Be a Poem: Oz Perkins on “The Blackcoat’s Daughter” / Matt Fagerholm / Roger Ebert.com / March 20 th, 2017. Through connections, he rewrote an unused screenplay based upon the life of Lucrezia Borgia. Terror lives in the shadows in the films of this maverick B-movie producer. Die Filme sollten so günstig produziert werden, dass sie ganz sicher Profit machen würden. She gave birth to her daughter, Stefani, on May 20 and did not return to screenwriting until the end of the year, when Lewton called on her to write the screenplay for Blackbeard the Pirate. Val Lewton Sez Death is Good! His mother left his father and moved to Berlin, taking their two children with her. An die ersten Tätigkeiten für das Filmgeschäft kam er in den 1920er Jahren über seine Mutter, die als Story-Editor beim Film tätig war. Abraham High School. Uniquely experienced as a professional writer in almost every aspect of the trade, he then worked for nearly a decade as an assistant to David O. Selznick, one of the most successful independent film makers in Hollywood history. She is shown to be the most affected after the plane explodes. In 1920, when Lewton was 16, he lost his job as a society reporter for the Darien-Stamford Review after it was discovered that a story he wrote about a truckload of kosher chickens dying in a New York heat wave was a total fabrication. Val Lewton (1904 - 1951) was a Hollywood producer and screenwriter for MGM and RKO. Berg wrote, "Mr. Karloff has great love and respect for Mr. Lewton as the man who rescued him from the living dead and restored, so to speak, his soul."[6]. During this time, Lewton attempted to start an independent production company with former protégés Wise and Robson, but when a disagreement over which property to produce first arose, Lewton was kicked out. Val Lewton was born Vladimir Ivan Leventon in Yalta, Russia, in 1904. The Films Of Val Lewton - Shadows And Suspense - YouTube. Julia has problems of her own relating to her daughter. 1 photographic print. Ms. Lewton was born on June 15, 1970 in Mt. "There is nothing more frightening than a closed door." At Lewton’s request, Koerner replaced Rogell with an émigré from another studio. Tap to unmute. In seinen letzten Lebensjahren hatte Lewton eine Reihe gesundheitlicher Probleme, er starb am 14. Er war offenbar ein konfliktscheues Kind. Following his association with Paramount, Lewton worked again for MGM, where he produced the Deborah Kerr film Please Believe Me, released in 1950. Though a film of Taras Bulba did not follow, Lewton was hired by MGM to work as a publicist and assistant to Selznick. youtube.com; 1:51. Val Lewton schrieb zu dieser Zeit alles, was sich verkaufen ließ: Pulp-Geschichten, Gedichte, Reportagen. Anfang der 1940er war die RKO in finanziellen Schwierigkeiten und beschloss deswegen, dem Vorbild der Universal Studios zu folgen und eine Abteilung für billige Horrorfilme zu gründen. Val Lewton Sez Death is Good! In 1909, they emigrated to the United States as second cabin class passengers on board the SS Amerika, which sailed from Hamburg, 29 April, and arrived in New York, 8 May; they were listed as Anna, Olga and Vladimir Hofschneider. The full story of Lewton’s unproduced film Blackbeard the Pirate , intended as a vehicle for Boris Karloff, was covered by this author in an article in The Dark Side (September 2018, issue 195). He quit this position after the success of No Bed of Her Own, but when three later novels that same year failed to succeed, he journeyed to Hollywood for a job writing a screen treatment of Gogol's Taras Bulba for David O. Selznick. His first screen credit was "revolutionary sequences arranged by" in David O. Selznick's 1935 version of A Tale of Two Cities. The following year, Kirk Douglas appeared in The Bad and the Beautiful; his character was partly based on Lewton. März 1951 in Hollywood, Kalifornien) war ein (eingebürgerter) US-amerikanischer Filmproduzent und Drehbuchautor. She took a degree in Education, as implied by her job in Mt. In 1942, Lewton was named head of the horror unit at RKO studios at a salary of US$250 per week. She and her children later moved to suburban Port Chester, New York. Title: [Val Lewton with his mother, Nina Lewton, and his sister, Lucy Olga Lewton] Date Created/Published: [between 1914 and 1920] Medium: 1 photographic print. So taucht er z. Upon arrival in New York, Anna Hofschnedier and her children joined the household of her famous sister, Alla Nazimova, in Rye, New York; she then reverted to her maiden name Lewton and earned her living by writing for the films. Dank der Erfolge seiner RKO-Filme durfte Val Lewton von 1947 bis 1950 für andere Studios zwei A-Filme drehen. Juli 2020 um 07:24 Uhr bearbeitet. Val Lewton with his mother, Nina Lewton, and his sister, Lucy Olga Lewton. The experience was beyond my dreams: meeting a person who knew Lewton, a filmmaker I love, and meeting this person above all—the star of a movie that touches me …

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