pierre schaeffer à la recherche d'une musique concrète
La musique concrèteNote 1 en tant qu'art acousmatique est un genre musical permis par les techniques électroacoustiques : de l'enregistrement microphonique à l'invention de sons, jusqu'à leur écoute, une fois agencés et composés, via les haut-parleurs et les diverses machines les reproduisant. Pop Smoke’s posthumous release is an authoritarian play on the sensesPerfume Genius: ‘I Am Conjuring a Feeling and Magnifying It’Berghain at 15: What Next for Berlin’s Legendary Nightclub?As Pharoah Sanders Tours the US, What Are the Origins of His ‘Searching Sound’?Warp Records at 30: The Best Response to Rave Nostalgia‘Bring Your Dancing Shoes’ to Jason Moran’s New Whitney ShowWomen in the Well: When Joan Jonas Met Nuala Ní Dhomhnaill Caoimhín Mac Giolla Léith BY R Now Schaeffer’s pioneering work―at once a journal of his experiments in sound composition and a treatise on the raison d’être of “concrete music”―is available for the first time in English translation.
Verónica Bayetti Flores ), que des circuits oscillants dotent d’une certaine mémoire, permettront le jeu infini des combinaisons numériques complexes qui sont la clé de tous les phénomènes musicaux. Schaeffer’s purpose was to find a breach in the fortress of musical tradition, open up ‘fissures of randomness for the poetic adventure to slip through’. He is contemplating a ‘symphony of noises’, and is collecting klaxons, gongs, bike horns and other objects from the departmental store cupboard. The book opens with extracts from his 1948 journal. La cohérence de cette perspective nous mène […] aux machines de la cybernétique.
A la recherche d'une musique concrète.
Le compositeur de musique concrète ou acousmatique travaille directement avec les sons eux-mêmes, enregistrés et fabriqués … The noise concert is not only the first concert of surrealist music; it contains, in my opinion, a musical revolution.’The artist’s ambitious fourth studio album is a genre-bending journey of defiance and radiant elationFor David Grubbs, an onrush of music has led to a rethinking of musical ‘speed’ itselfThe singer discusses sex, dancing and Elvis on his new album, In 2019, the cityscape around the club has shifted dramatically; the Berlin epithet ‘poor but sexy’ a fading memoryThe 2013 album is a compelling record of our collective fracturing Pharoah demonstrates a way to be in the world as a Black artist, expressing a sense of pride that does not violate privacyFew other labels could claim to have cultivated such a coherent philosophy over the years: one which unites the pleasure of partying with its darker sideInformed by the legacies of funk and jazz, the artist’s many collaborations are given space to shineWhile the American artist was staying in Dublin in the 1990s, she encountered a female character with a wildness to match Mad Sweeney Bradford Nordeen remembers the late American filmmaker’s carnality, decay, hurt, humour and so much excruciating beautyThe late playwright and novelist galvanized the fight against HIV/AIDSReflecting on the late curator, critic, art historian and impresario with artists Laurie Anderson, Thomas Demand and Paolo Icaro His correspondent ‘G.M.’ lauds ‘the ultrasonic music created maybe by the movement of the planets: the music that Poe and Lautréamont and Raymond Roussel would hear inwardly. Get kids back-to-school ready with Expedition: Learn! A la recherche d'une musique concrète - broché - Pierre Schaeffer - Achat Livre ou ebook | fnac His correspondent ‘G.M.’ lauds ‘the ultrasonic music created maybe by the movement of the planets: the music that Poe and Lautréamont and Raymond Roussel would hear inwardly. | This ‘cryosonic’ notion of sound as a solid, retrievable object appealed so much to Pierre Schaeffer that, in 1952, he created a piece called Les paroles dégelées (Thawed Words), in which he altered the timbre of a voice reading Rabelais’ work aloud by various tape manipulation techniques – a process he had already dubbed musique concrète. The French composer's purpose was to find a breach in the fortress of musical tradition, open up ‘fissures of randomness for the poetic adventure to slip through’Recorded sound was first imagined as long ago as 1552.
Pierre Schaeffer, (born Aug. 14, 1910, Nancy, France—died Aug. 19, 1995, Aix-en-Provence), French composer, acoustician, and electronics engineer who in 1948, with his staff at Radio-diffusion et Télévision Française, introduced musique concrète in which sounds of natural origin, animate and inanimate, are recorded and manipulated so that the original sounds are distorted and combined … | Pierre SCHAEFFER : A LA RECHERCHE D’UNE MUSIQUE CONCRETE (éd. R Caoimhín Mac Giolla Léith Which of these was a famed English madrigal composer? En collaboration avec Pierre Henry, il compose par la suite Bidule en ut et surtout en 1950 Symphonie pour un homme seul. After trying to sample sounds from classical musicians who want to play conventionally, Schaeffer laments: ‘Gazelles die like this, behind bars.’ After another frustrating session: ‘I was like a child who has taken the growl out of his teddy bear, pulled out his dolly’s eyes and smashed his clockwork train.’ Concrete pieces are not completed outcomes, but constructed via exhausting techno-aesthetic trial and error – which makes him an experimental musician in the true meaning of the word. Pierre Schaeffer (1910-1995) est l’inventeur de la musique concrète, considérée aujourd’hui comme la première de toutes les musiques électroniques. Du Seuil) Occasionally he’s ‘uncomfortable with this endless groping in the dark’. BY Des milliers de livres avec la livraison chez vous en 1 jour ou en magasin avec -5% de réduction ou téléchargez la version eBook.
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