vitrahaus herzog et de meuron

 In différence entre mythe et histoire

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Congratulations once again on a wonderful project!it is really impressive project but when I saw it for the first time, I thought it’s Sou Fujimoto idea (project of tokyo apartments) – hope I am wrong!have something to add? The deliberate intention was not to create a horizontal building, the common type for production facilities, but rather a vertically oriented structure with a small footprint, which grants an overview in multiple senses: an overview of the surrounding landscape and the factory premises, but also an overview of the Home Collection. Stacked into a total of five stories and breathtakingly cantilevered up to 49 feet in some places, the twelve houses, whose floor slabs intersect the underlying gables, create a three-dimensional assemblage – a pile of houses that, at first glance, has an almost chaotic appearance.Culture House Eemhuis | Neutelings Riedijk ArchitectsErste Campus Headquarters | Henke Schreieck ArchitectsArchitectural Design Tips by Luis F. (IG/lfdesign_bayarea)© Arch2o.com 2012-2020, Some rights reserved. The interior walls are finished in white in order to give priority to the furniture displays.With maximum dimensions of 187 feet in length, 177 feet in width and 69.8 feet in height, the VitraHaus rises above the other buildings on the Vitra Campus. Standing on the northern side of the grounds in front of the fenced perimeter of the production premises, the VitraHaus joins two other buildings in this area, the Vitra Design Museum by Frank Gehry (1989) and the Conference Pavilion by Tadao Ando (1993). April 1950 in Basel) und Pierre de Meuron (* 8. 12-may-2014 - Rafael Munoz descrubrió este Pin. 29.02.2020 – 18.04.2021 it appears as if it is being pushed down by the heavy load of houses from above.the courtyard was one of the first things the architects thought about when they started the project. I love how the houses just run into one another – kind of a poetic chaos. We will never give your details to anyone else without your consent. A wooden plank floor defines an open central area, around which five buildings are grouped: a conference area, an exhibition space for the chair collection of the Vitra Design Museum and a conglomerate comprising the Vitra Design Museum Shop, the lobby with a reception area and cloakroom, and a café with an outdoor terrace for summer use. With just a few exceptions, only the gable ends are glazed, and the structural volumes seem to have been shaped with an extrusion press. All of the staircases are integrated into expansive, winding organic volumes that figuratively eat their way through the various levels of the building like a worm, sometimes revealing fascinating visual relationships between the various houses, at other times blocking the view. The opposite end – where the glass front is recessed to create an exterior terrace – opens to a panorama of Basel with the industrial facilities of the pharmaceutical sector. In The charcoal color of the exterior stucco skin unifies the structure, 'earths' it and connects it to the surrounding landscape. In Weil am Rhein, it was especially appropriate to return to the idea of the ur-house, since the primary purpose of the five-storey building is to present furnishings and objects for the home. Herzog & de Meuron: VitraHaus, Weil am Rhein In January 2004, Vitra launched its Home Collection, which includes design classics as well as re-editions and products by … instead, herzog & de meuron use the vitrine to express their ‘mocking’ response to the static building. In the VitraHaus you feel yourself to be inside a charmed circle of delightful design. the charcoal color of the exterior stucco unifies the buildingthe ‘vitrahaus’ has a daytime view of the surrounding landscape, while in the evening  the perspective is reversed. In the evening, the perspective is reversed. The VitraHaus fits within a Herzog & de Meuron masterplan, under which it was felt best to put some space between their own and Gehry’s different forms of eye-catching architecture. The interior walls are finished in white in order to give priority to the furniture displays.With maximum dimensions of 57 metres in length, 54 metres in width and 21.3 metres in height, the VitraHaus rises above the other buildings on the Vitra Campus. Here, you can view furniture arrangements in different design styles, which include both the great Vitra classics and the latest contemporary designs. This is what the Vitra world has always been, but here it is distilled.

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