hans zimmer interstellar interview

 In différence entre mythe et histoire

So again, it’s the idea of play. I mean, GALLOWAY:  What did Chris Nolan introduce you to for ZIMMER:  Roger Penrose. GALLOWAY:  The real soldiers who’d been in Somalia?ZIMMER:  Well this was easy because I just phoned Rid and I’d just go, you know hang on, who are your advisors. You know you stick with the character like glue.GALLOWAY:  Was the character you were sticking with Tom Cruise or Dustin Hoffman?ZIMMER:  Well in this case very much Dustin. So he was writing with this piece of music sort of keeping him company all the way through the writing process, all the way through the shoot.

You know, I can't talk you into liking something. Embrace dissonance. And you know I’ve never had a real job in my life. It's four whatever. He goes well I better make the movie now. There was a new television station in England called Channel Four. And, you know, I'm, if you ask, you know, if you ask me to come for dinner at 7:00 PM, I'm going to go great, I'll be there. I had to you know I really, it became undeniably a very personal piece. You know, it's, you know, I mean, there's nothing, you know, they're cuddly and cute. [LAUGH]  No, no, actually the whole, that whole thing, that whole sequence, it's one of the few times where I was not writing on the computer. I had written these tunes and sort of set the tone of it. It sort of seems to float around the Internet the way everything does. What it meant to be a father. Viewers of the film will notice a blend of instruments including strings, piano, and of course, the pipe organ. Protect your star. I’m not going to say to them, can we be a little bit more presto here. It was just always there. Außen ein unscheinbares Gebäude mit Flachdach. You know ZIMMER:  It wasn’t conscious. This movie started off two years ago with Chris saying to me, “I’m not going to tell you what the movie’s about. And you automatically, you know, somebody dies, you think you now need to go and do something a bit more proper and a bit more of regular.ZIMMER:  I told myself not to. He did get me to go to a screening at eight o’ clock in the morning once, and I didn’t quite make it through the movie.ZIMMER: I have, rarely, and usually I can’t remember it. And the thick paper meant I knew there was no carbon copy. I think these days, your mother wouldn’t be able to take you to an opera about a bordello — I saw the ZIMMER: Well, maybe a little bit of both.

ZIMMER:  Dear Zimmer, here is the fable. [LAUGH]  And he starts describing this huge journey, this vast canvas of space and philosophy and science and all these things.

You know, just perfection. I mean, this thing lasts a second. I thought there was something longing in that sound as well. You know that’s one of the huge great fabulous things about computers. It's, you know, proper typewriter, old fashioned way and the thick…ZIMMER:  Yeah. I just wrote, you know it was just like there was another, and here we can do this and duh-duh-duh, you know. And our meetings were in the set, I mean, the Marcus Aurelius' tent. And thought it was actually really, sort of a bit tedious. And it took me a long time to persuade him. Why ‘Memento’ Remains Christopher Nolan’s Best Movie About Self-Deception‘The Exorcist’ Movies Ranked From Downright Devilish to Heaven-Sent‘Space Jam 2’ Teaser Reveals LeBron James in the New Tune Squad Jersey‘The Umbrella Academy’s Weird and Wonderful Powers, ExplainedNetflix’s ‘Enola Holmes’ Teaser Trailer Reveals Millie Bobby Brown as Sherlock’s SisterHANS ZIMMER: I want to start with something I don’t think it gets mentioned enough. And I play guitar. And he starts describing this huge journey, this vast canvas of space and philosophy and science and all these things. This is the only one. And just the ideas of what the music could bring. Though technically it’s flawed, who cares. Most of it is built on the blood of slaves or, you know, on other nations. And then Hannibal, you know, shooting in Florence, God, that was really tough being there [LAUGH] and it was, you know…GALLOWAY:  For Interstellar, you locked yourself away and do you follow regular hours?ZIMMER:  No, I [LAUGH]  Okay, let's just get one thing straight, I don't work. Interstellar: Original Motion Picture Soundtrack is the soundtrack album to the 2014 film Interstellar directed by Christopher Nolan.The film score is composed by Hans Zimmer who previously scored Nolan's The Dark Knight film trilogy and Inception.The soundtrack garnered critical acclaim.

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