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 In différence entre mythe et histoire

Our Mustang Spoilers are being sold at bargain-basement prices, so add a Mustang Chin Spoiler to your Mustang without breaking the bank! I took this controversy for what it was worth – a bunch of smug Europeans lazily invoking the cliche of the bourgeouis, puritannical, multiplex loving American. This is not to say that it’s never appropriate for a main character to die but rather that the dying should serve some purpose in the story other than proclaiming that everything is pointless and so we should all go at each other like animals.Happy and neutral endings are as much a part of real life as sad, traumatic and destructive ones. After a brutal car accident, Marilyn must take care of her man suffering a serious head trauma.

It used to be that (Georges Franju aside) French cinema was… You must be a registered user to use the IMDb rating plugin. The fact is that the movie is better served by the ending of the heroine reborn. All good films, though, and light years away from the crap being done in the mainstream. Just wrap the new tag around any text in your comment, and that’s it! With Noémie Schmidt, Hippolyte Girardot, Judith El Zein, Samuel Theis. The final scene is of the unnamed woman in a rocking chair with the baby.In short, WTF? This will mark that portion of the message as a spoiler.

Sarah mistakenly kills her own mother – incidents like this have been commonplace in horror since The Descent, though the first version I can remember is in the otherwise rubbishy Don’t Go in the Woods Alone – but barely has time to feel sorry about this since more folks have to be bloodily done away with. If anything, these could do with a whiff of the fantastique to go with the gruelling, sustained abuse of (usually) women — though most French roughies still feel obliged to include philosophical underpinnings which might or might not justify the thuggish brutalism. Introducing Spoiler Tags! Despite the high octane interludes, which I agree do stretch credulity somewhat I think it retains an incredibly tense and disturbing atmosphere throughout – it held me at the edge of my seat and disturbed in a way that makes it a much more accomplished horror film (for me anyway) than say Frontiers or the recent La Horde. Dalle’s character did not have a realistic or developed psychological profile and her motives were, as you said, “laughable”. Dalle makes a wonderfully brutal hard-faced witch (she may be the scariest female monster ever) and Paradis is credibly distressed, but too much about these women is withheld from us. A young woman about to leave a psychiatric clinic is found dead. By far the best horror/thriller I've seen since "The Descent". Particularly in Hollywood.Phil Newton I love the intensity of this film, although in hindsight perhaps Martyrs is the better film as it doesn’t resort to those gory gross out moments quite so much. Looking for some great streaming picks? It’s hard not to feel suspicious about the fact that in both of these films women are the monsters or behaving monstrously and also the victims. This was a really distressing film, and it does raise a lot of questions about the French horror genre. But the emphasis on effects and the way characters take appalling injuries but keep on fighting smacks of horror film convention rather than life, and so the film turns into just another gore-fest.Late in the day, la femme reveals she was in the other car in the accident and wants Sarah’s baby to replace the one she lost – but, again, we get no clues as to who’s fault the accident was, whether la femme has a husband around, or even why the maniac thinks the best way to get redress is to perform an impromptu caesarian section on the unwilling mother (presumably, at the risk of the baby’s life) rather than simply to kidnap the kid after its safely born (of course, that would be a different film – less horrible, but probably scarier).

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